Meanwhile Avinash Gowda (Shobaraj) has made two kidnaps – Sandhya (Swathi) who is the lover of Shanker and Shwetha (Janath Estar) girl friend of Soori.
It is Avinash Gowda who invites Shanker to his hideout. It is a miscalculation of the cop. Sandhya is a servant of Avinash and she stabs Shanker from behind. That is the end of Shanker portions. In the second half the mistaken identity of Avinash Gowda is revealed when his brother escape from the custody of Soori.
It is time for Soori to take revenge on his brother killers. How does he come to know the secret of his brother killers? This is a slightly interesting portion.
Director Sen Prakash has concentrated on the screenplay. He has partially won in his screenplay. There is no appreciable story. The selection of artists should have been better.
The main actors Shravanth Rao and Manishchandra should have trained properly to give convincing performance. Shravanth screams and high pitch and facial expression of Manischandra is not passable.
With a screenplay the film is possible. This is what Sen Prakash has shown but nothing else. He is a novice in direction. The developments on screen are not that appealing. Everything is easily to the guess of the audience.
The theory of cop and criminal brother we have seen from the days of ‘Deewar’ Hindi cinema. The thread is changed to the whims and fancies of the directors. Soori character indulges in killings but he goes free from the eyes of law.
Director Sen Prakash has divided the portions equally to Shravanth Rao and Manischandra. Except handling of revenge he has not showcased anything in this film.
The interruptions while watching this film in Anupama theatre (twice) further disturbs the flow of the film.
Shobaraj is the best actor among all in this film. Shravanth Rao and Manischandra do not fit the hero’s role. The comedy portions of Chidanand are fit for nothing. Especially when the child come and asks what is ‘Sex’ – a rotten joke indeed.
Estar Janath looks better in the close up. Swathi is again not a heroine material.
Technically also this film is substandard. Cine Tech Soori camera work shakes at places and out of focus quite often. One of the songs in the film Teli Hodhe Naa Yee Kshana…is impressive song from Raj Narayan.
Last but not the Least – It is difficult to sail (Navika) the boat without water! Water in this case is freshness and good performers.
TOLERABLE NARRATION – Score – 2/5
Cast – Shravanth Rao, Manischandra, Shobaraj, Swathi, Janath Estar, Tennis Krishna, Ninasam Ashwath and others.
Cinematography – Cine Tech Soori
Music – Raj Narayan
Producer – Binocular Productions
Direction – Sen Prakash
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