A remake of ‘Thiruvilaiyaadal Aarambam’ (released in 2006) Tamil cinema is all about the clash of a lover with his fiancé brother. Winning the love doing lot of labor at any cost is the sole intention of this film.Guru (Yogish) a happy go lucky youth falls in love with Priya (Aindrita Ray). It is big struggle to win Priya for Guru. It is even stronger struggle for Guru to win Priya brother Nanda (Prakash Raj).
Nanda at any cost does not want Guru to marry his sister. Guru in pre interval fixes a price for exchange of love. It is Rs.25 lakh deal Guru gets. When Priya is told about this with ease Guru manages the situation by saying he has not told her that he does not love her. The war turns very hot between Guru and Nanda now. Guru with the given Rs.25 lakh owns a business and flourish. Even in business Guru becomes a hard nut to crack. At this time Priya declare to her brother that she had married Guru in the registrar office. This is very boiling situation for Nanda. Guru ask for Rs.10 lakhs in exchange of papers of registration marriage.
Whether Nanda realizes the truthfulness, loyalty and ability to look after his sister by Guru is reveled in the climax.
ANALYSIS: It is a frame to frame carbon copy of the Tamil film. At some places director Dharani executes the scenes very convincingly.
Why Nanda uses the police force to beat his rival Guru is a point that strikes. The scenes between Yogish and Prakash Rao are not convincing. Yogish looks very dull in front of Prakash Raj. The character of Yogish should have had a strong voice first of all. Otherwise a strong dubbing was a must whenever Yogish comes before Prakash Raj.
It is just because Yogish is looking thin and this role suits him the director Dharani might have selected. What about the mighty Prakash Raj who is ten times stronger in his performance. A stronger opponent for Prakash Raj was required. This is of course a different kind of ‘brother and sister’ sentiment suits the modern days.
The mind game and intelligence is what counts more in this film. There were chances for the film to win very punching dialogues.
PERFORMANCE: Yogish with the image of ‘Loose Madha’ for him partially suits the film. He falls flat whenever Prakash Rao comes on screen. Yogish lacks the stunning voice.
Prakash Raj scores over everyone from his looks, agile style and dialogue delivery. Aindrita Ray has a good catwalk in the film. She looks very pretty in the songs. Om Prakash Rao comedy imitating his father NS Rao is quite OK.
Achyuth Kumar is convincing as father and Sudha Belawadi as mother is OK. Sangeetha has nothing much to do.
TECHNICALITY: Technically this film is a super flop cinema. Right from the beginning the visibility is not good. The film visibility is such that it leaves a feeling that we are watching an old cinema.
This might be because of the UFO screening too. K Dathu camera work is very active in songs. V Harikrishna music is passable with two songs. The song ‘Loose Madha….is modern one in style, Nanagene Heege Aguvudhu Sariye…is melodious. The tug of war song Nanna Neenu Gellalare…..for Prakash Raj and Yogish is lifted from the yesteryears Dr Rajakumar film.
LAST BUT NOT THE LEAST: Love and Labor - both not lost in this film!
YOGISH SHINES PRAKASH RAJ STUNS!: Score - 2.5/5
Courtesy : SuperGoodMovies
BANNER: Sri Sevalal Productions
TITEL: Dhool
CAST: Yogish, Aindrita Ray, Prakash Raj, Om Prakash Rao, Sangeetha, Achyuthkumar, Sudha Belawadi, Manadip Ray and others
CINEMATOGRAPHY: K Dathu
MUSIC: V Harikrishna
PRODUCER: MH Sunil
DIRECTION: Dharani
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